In practice, they offer no real asset in classical guitar recordings as their advantages benefit mainly on-stage use and capturing of loud sources.įor the most part, I don't get along well with ribbon or dynamic microphones, mainly because of their sensitivity or lack of. In contrast, they are very robust, resistant to moisture, and have low sensitivity. They have the reputation of being fragile and need careful handling and storage.ĭynamic microphones are similar to ribbons as both capture sound by magnetic induction. Most ribbon designs hear sound bi-directionally and produce natural and complex recordings. Ribbon microphones have a relatively simple design with no active circuitry and use a thin metal ribbon suspended in a magnetic field.
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